FRONT The Depot Theatre with Jack Rabbit Theatre From 28 June to 15 July 2017 You can grab your tickets thought Tickets Tonight here. My partner has a saying: Seek forgiveness and not permission. It’s formally attributed to Rear Admiral Grace Hopper who was forced to live by it, but it has long been […]
Author Archives: lisathatcher
July
14
Before Lysistrata – Power to the People (theatre Review)
posted by lisathatcher
Before Lysistrata Montague basement Currently showing KXT from 10 July to 22 July You can grab your tickets here Ironically, it was the success of Donald Trump that brought to light a previously hidden kind of absurdity to the discourse of consensus. Before his election win, enlightened reason existed as the great arbiter, the great […]
June
29
I am on Radio National Today
posted by lisathatcher
Good morning! For those of you keen on the amazing Clarice Lispector, I am talking about her on Radio National today. The program is Books and Arts and I am part of the monthly Latin American book club. You can read up here. I have also bumped the posts I’ve done (many moons ago) on […]
June
28
Água Viva – Clarice Lispector and reading the invisable text. (Book Review)
posted by lisathatcher
The journey one takes toward Clarice Lispector has a great deal to do with the way she is read. I came to her through Helene Cixous, and therefore she (CL) has become inseparable from me, as I experiment with my reading of her, paying almost as much attention to my internal carry-on-chorus that wobbles along […]
June
28
The Hour of the Star: Clarice Lispector speaks on life, death and the question ‘Who am I?’
posted by lisathatcher
Everything in the world began with a yes. One molecule said yes to another molecule and life was born. But before prehistory there was the prehistory of prehistory and there was the never and there was the yes. It was ever so. I do not know why, but I do know the universe never […]
June
17
On Clarice Lispector and breath. (Article)
posted by lisathatcher
“I am so mysterious that even I don’t understand myself.” CL I am currently reading Agua Viva by the great Clarice Lispector, translated by Stefan Tobler. There are lamentably few of Lispectors works translated into English – hopefully this will change as her popularity here increases as in her native Brazil. I’ll review Auga Viva […]
June
05
The Ham Funeral – Theatre as the ruin of discursivity. (Theatre Review)
posted by lisathatcher
The Ham Funeral Siren Theatre Company and Griffin Independent 17 May to 10 June Griffin Theatre You can grab your tickets here. The dramatic death of Mr Lusty and the ensuing ham funeral in his honour should have heralded the departure for Australian culture from our mouldy, illicit landlord England, toward a celebrated separateness. Instead […]
April
29
Bengal Tiger at the Baghdad Zoo – Theatre in layers over time. (Theatre Review)
posted by lisathatcher
Bengal Tiger At the Baghdad Zoo Mad March Hare Theatre Company and Red Line Productions The Old Fitz Theatre 2 April to 6 May You can grab your tickets here. Image credits: Kate Williams Bengal Tiger at the Baghdad Zoo occurs in various shades of night, for the war in which this play is set […]
April
27
Sex Object – Conceeding nothing to the spirit of finitude. (Theatre review)
posted by lisathatcher
Sex Object Jack Rabbit Theatre The Depot Theatre 19 – 29 April 2017 You can grab your tickets here. Image credits: Omnes Photography It was Nietzsche who argued that motives for certain types of morality stand in antithesis to its principle. Examples of these types of morality include industriousness, obedience, chastity, piety and justness. His […]
April
14
Trade – What is money rather than what makes money. (Theatre review)
posted by lisathatcher
Trade Hurrah Hurrah Theatre Company at The old 505 Theatre April 4-15 2017. You can grab your tickets here. The difference of opinion in today’s political landscape is measured not by whether you are for or against capitalism, but by how you are for capitalism. It has long been my contention that liberals need to […]
Lisa Thatcher 