Daisy Moon Was Born this Way Jopuka Productions at The Launch Pad. 8 February – 21 February 2020. You can grab your tickets here. Please note: I attended this production as a full paying ticket holder in order to relay a complete audience member experience. I did not receive any gratuity from a publicist or […]
Author Archives: lisathatcher
February
12
Daisy Moon Was Born This Way – The perfect play in the perfect place at the perfect time. (Theatre Review)
posted by lisathatcher
February
08
The Spoils – White guilt and the monied left. (Theatre Review)
posted by lisathatcher
The Spoils Flight Path Theatre From 29 January to 8 February. You can grab your tickets here. Images by Clare Hawley Please note: I attended this production as a full paying ticket holder in order to relay a complete audience member experience. I did not receive any gratuity from a publicist or a production company. […]
January
31
Pomona – The horror and beauty of the sandbox game. (Theatre Review)
posted by lisathatcher
Pomona Secret House in association with bAKEHOUSE Theatre At KXT 24 January – 8 February You can grab your tickets here. Images Clare Hawley Please note: I attended this production as a full paying ticket holder in order to relay a complete audience member experience. I did not receive any gratuity from a publicist or […]
January
16
1984 The Musical – Big Brother is watching … still. (Theatre review)
posted by lisathatcher
1984 The Musical 8 January – 25 January 2020 at New Theatre You can grab your tickets here. Perhaps George Orwell’s greatest accomplishment with 1984 was the clear indication, though an intentional muddle-headedness, of the way’s words can be used to mean their opposite. His famous book was celebrated (and banned) as a pro-communist tome […]
December
03
Why I am no longer accepting free tickets to Theatre.
posted by lisathatcher
I’ve never been interested in giving my opinion expert or otherwise regarding the Sydney Theatre Community. I’ve always held the only time to give feedback on a show’s quality is when you have been invited to do so while the play is in rehearsals. Once a play is produced and presented, we need to look […]
November
21
Packer and Sons – The elephant in the room. (Theatre Review)
posted by lisathatcher
Packer and Sons Belvoir 16 November – 22 December 2019 You can grab your tickets here Images: Brett Boardman Please note: This article is written based on witnessing a preview. I did not attend opening night. I did not receive a free ticket from the theatre nor a publicist for this production. A key […]
November
11
Water – Mark Langham brings German Enlightenment to Sydney (Theatre Review)
posted by lisathatcher
Water New Blood Theatre and Where’s Harold Productions. Find out more here. (At the publishing of this review, this production has finished.) In his director’s notes, Mark Langham describes an inability to forget Carl Hans Lody (Stephen Lloyd-Coombs) after reading about him. To underscore this, he cites the key incident Lody facing a firing squad […]
November
08
Simple Souls – Lisa Chat’s with Paul Gilchrist (Theatre interview)
posted by lisathatcher
Simple Souls 13 – 30 November Top Shelf Fringe HQ. You can grab tickets here. Paul Gilchrist is one of Austrlia’s best writers of Magic Realism. His play Christina in the Cupboard is vivid and wild, perplexing and compelling. The work was able to expose an adherance to a single truth as a kind a […]
November
07
The Underpants – Expressionism made modern with wit. (Theatre Review)
posted by lisathatcher
The Underpants Sugary Rum Productions and The Seymour Centre 31 October – 23 November. You can grab your tickets here. Images: David Hooley Sugary Rum Productions offers us it’s trademark depth and complexity with The Underpants, a comedy written during the Weimar Republic by Carl Sternheim and adapted by Steve martin during the presidential campaign […]
September
24
John – Annie Barker and the organic whole. (Theatre Review)
posted by lisathatcher
John Outhouse Theatre The Seymour Theatre 19 September to 12 October You can grab your tickets here. Images: Clare Hawley For Annie Barker, the characters of her remarkable play John intuit each other as much as they see, hear, smell and touch each other. They are each in tune with the ‘music’ of each other’s […]
Lisa Thatcher 