Monthly Archives: April 2014

April 07

The Fountain – Darren Aronofsky pushes the buttons. (Film Review)

The Fountain is Aronofsky’s most challenging film to write about, and stands alone as a unique work in his oeuvre, until Noah that is, with which there are some strong similarities. All the hyperbole we’ve come to expect are there, the use of imagery to subvert narrative, the strongest points being the most subtle, images […]

April 07

40 years Ago Today: The Conversation (film review)

  In 1970, Karel Kachyna made a Czech film titled The Ear, and in 1974 Francis Ford Coppola made an American film titled The Conversation. Due to the highly restrictive Soviet rule in Czechoslovakia, The Ear was banned before it saw the light of day (frankly it’s a miracle it was ever made) and did […]

April 04

The Lego Movie – Made by those who love Lego for those who love Lego. (Film review)

If you’re reading all the reviews of The Lego Movie, and they become oddly analogous, strangely lacking insight given the overwhelmingly positive scores, you would be forgiven for thinking the cinematic off-season has driven super-hero/super-natural weary critics into a frenzy of appreciation for anything that isn’t going to ask them to analyse a relationship between […]

April 03

Requiem for a Dream – Aronofsky refuses categorical analysis by offering everything. (Film review)

If  π was a little maddening, then Requiem for a Dream is a total mind F*&K when it comes to the overhanded frustrating emphasis Aronofsky will place on his not so subtle message. At its surface, the message of Requiem for a Dream is don’t do drugs, and there is absolutely no chance in the world […]